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UK Garage
34,00 € *
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High Quality Content by WIKIPEDIA articles! UK garage is a sub-genre of electronic dance music originating from the United Kingdom in the mid-1990s. In some sense UK garage is a descendant of British house music, but takes its name from the practice of sped-up US garage playback from whence the near-synonymous term Speed garage is derived. UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

Anbieter: Dodax
Stand: 30.05.2020
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Dubstep
54,00 € *
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High Quality Content by WIKIPEDIA articles! Dubstep is a genre of electronic dance music that has its roots in London's early 2000s UK garage scene. Musically, dubstep is distinguished by its 2-step rhythm, or use of snare sounds similar to 2step garage and grime, and an emphasis on bass, often producing "dark" sounds, but just as frequently producing sounds reminiscent of dub reggae or funky US garage. Dubstep tracks are generally produced at a tempo of around 140 beats per minute and in recent years have developed signature half time rhythms, often heavily shuffled or syncopated, and usually, though not exclusively, including only one snare drum hit per bar, often on the third beat. Such factors make dubstep rhythms markedly different from four-to-the-floor rhythms used in other styles of electronic dance music such as house music, which usually have two snare hits accompanying the second and fourth kick drum. Often, the sense of rhythm in dubstep is propelled more by the bassline than by the percussive content.

Anbieter: Dodax
Stand: 30.05.2020
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Sony GTK-XB5 Mini-Set Schwarz
179,27 € *
ggf. zzgl. Versand

EXTRA BASS™ adds power to every bassline Push the EXTRA BASS button to add some serious low-end power to your music. It works by reinforcing basslines to create deep, punchy bass. Simply press the button to activate the mode, and be blown away by resounding bass2. Two-way design for flexible setup A flexible two-way setup gives you great sound, wherever you place the system. Set it up horizontally for a classic boombox feel, or flip it upright if you’re short on space. A built-in sensor optimises how sound is processed to stereo sound, whichever setup you choose. Seamless streaming with NFC and Bluetooth® Near Field Communication (NFC) and Bluetooth technology remove the need for wired connections and complex set-up sequences. Simply touch your NFC-enabled device to the headphones for a quick, seamless connection, then start streaming your music collection. No NFC? No problem. Connect via Bluetooth and you’re ready to go. Line and speaker lights create a party atmosphere Pump up the atmosphere with club-like line and speaker light with strobe flash. Synchronising with the rhythm of the beat, the power and speed of the light display matches the musical mood and atmosphere. One-box design for maximum portability Pick it up and party anywhere, thanks to the GTK-XB5’s one-box design. Whether you’re hanging out with friends at home or taking the party elsewhere, the compact design features a built-in handle for portability and convenience. ClearAudio+ enriches your music Unique to Sony, ClearAudio+ automatically adjusts sound settings for an enriching listening experience. By bringing together expertise in digital signal processing technologies, ClearAudio+ is able to optimise audio to deliver a consistently clear, high-quality sound, whether you’re gaming or enjoying music and movies. Party Chain lets you expand your speaker system Add extra power to your sound system. Connect multiple stereos in a chain for a higher sound output. Activate one device to be the ‘Party Host’ and sync music with the other systems in the chain. Enjoy higher quality Bluetooth streaming with LDAC LDAC is a new audio technology from Sony that allows you to enjoy the highest quality wireless audio via Bluetooth. With 3x the data transmitted, LDAC provides an enhanced wireless listening experience for all your music. DSEE automatically restores detail to digital music Boost the quality of your compressed music files. When an original music source is compressed, it loses the high frequency elements that add detail and richness to your favourite tracks. The Digital Sound Enhancement Engine (DSEE) faithfully restores these to produce high quality sound that’s closer to the original CD recording. Customise your settings with the SongPal app Have fun with your party settings from the dancefloor with the SongPal app. Simply download onto your smartphone and enjoy wireless control of all your party settings. Switch up lighting effects, or activate DJ effects and EQ settings to pump up the atmosphere. You can also select your favourite playlists from USB and cue the next song, without being tied to the DJ booth. Audio input and output Connect audio visual equipment with an audio input and output. Hook up a TV or extra speaker to give your home entertainment an audio boost.

Anbieter: Dodax
Stand: 30.05.2020
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Alive AG KMS 25th Anniversary Classics (4CD) Te...
31,95 € *
ggf. zzgl. Versand

Detroit-Legende Saunderson gehört mit Juan Atkins und Derrick May zu den Gründervätern des Detroit Techno. Mit Inner City (Good Life) feierte er Chart-Erfolge. Hier seine wichtigsten Veröffentlichungen!nnSaunderson ging mit Juan Atkins und Derrick May auf die Belleville High School in Detroit (The Belleville Three). Er gilt als Mitbegründer der Stilrichtung Detroit Techno und hatte mit dem kommerziellen Projekt Inner City Chart-Erfolge. Er gründete das Label KMS Records, auf dem er unter den Projektnamen Reese, E-Dancer, Tronik House und anderen Titel wie The Sound, Bounce your body to the box, The groove that won't stop und Rock to the beat veröffentlichte. Die neue Compilation gibt einen Überblick über seine wichtigsten Veröffentlichungen. CD1 - 1. Kreem - Triangle of Love CD1 - 2. Reese - The Sound CD1 - 3. Reese - Just Want Another Chance CD1 - 4. Reese & Santonio - How To Play Our Music CD1 - 5. Keynotes - Let's, Let's, Let's, Let's Dance CD1 - 6. Reese & Sanantonio - Bounce Your Body To The Box CD1 - 7. Kevin Saunderson - The Groove That Wont Stop CD1 - 8. Reese & Santonio - Truth Of Self Evidence CD1 - 9. Symbols & Instruments - Mood CD1 - 10. Reese - Rock To The Beat Founded in 1987, by Kevin Maurice Saunderson, his first release was Triangle Of Love produced by, 'Kreem', (just one of his many guises), little did Saunderson know, at that time, that two and a half decades later, he would still be releasing music on his KMS label. Let's go back to the beginning... Born in Brooklyn in 1964, Saunderson moved to the picturesque Detroit suburb of Belleville, when he was nine, a different world to the urban decay of the city itself. Saunderson has an enviable dual reputation. To the dance cognoscenti he's one of the Belleville Three, (with Saunderson being the 'Elevator', Juan Aktkins being the 'Originator' and Derrick May being the 'Innovator'), the trio of friends invented Detroit Techno. The trio met at Belleville High School where, Saunderson befriended Juan Atkins and Derrick May, who introduced him to the eclectic post-disco playlists of Detroit radio DJ Charles The Electrifying Mojo Johnson. Johnson played disco, funk, Prince, Parliament/Funkadelic, Kraftwerk, the B52's and Tangerine Dream, to name just a few. Saunderson already had a serious love for music, but he didn't realise he was going to produce music, until then. In his first year at East Michigan University, where he studied telecommunications, he gave up football to become a DJ himself. He took inspiration from visits to Larry Levan's Paradise Garage in New York and Frankie Knuckles' Warehouse and Music Box in Chicago. Saunderson, Atkins and May, played at campus parties, until setting up their own club in Detroit, the fabled Music Institute. Of the Belleville Three Atkins was the first to make a record, with electro group Cybotron's Alleys of Your Mind in 1981, then May, with Rhythim is Rhythim's Nude Photo in 1987. Inspired by his friends, Saunderson bought some basic equipment and made his own debut in 1987 with Triangle Of Love. I just had a good ear and a good heart for music, he says. Juan Atkins led me into DJing which led me into making extra beats to play in my set. Then I started learning how to play basslines, putting a lot of work in, just elevating it from there Undeniably, Saunderson is a gifted producer (going under guises such as Reese, E-Dancer, Tronikhouse and Reese Project), remixer and a tireless international DJ. To lovers of great pop music he's also one third of Inner City, who made regular visits to the Top 20 in the late 80s with jubilant hits like Big Fun and Good Life, paving the way for hundreds of underground-to-chart crossover records to come. On a visit to England in 1988 Saunderson realised that a mythology had built up around the Belleville Three. To his even greater surprise, Big Fun became not just a massive club record but a pop hit. He also helped to revolutionise remixing when he worked on We Know It by Wee Papa Girl Rappers. Over the following decade Saunderson would continue to produce imaginative remixes for the likes of New Order, Pet Shop Boys, The Shamen, Paula Abdul and the Lighthouse Family. Even whilst travelling the globe, djing or touring with Inner City, Saunderson continued to produce and release not only his own tracks on his KMS label (with tracks such as The Sound by Reese, Rock To The Beat by Reese, Truth Of Self Evident by Reese & Santonio, Let's, Let's, Let's, Let's Dance by Keynotes and Colour Of Love by The Reese Project), but he also released tracks by other up and coming artists, releasing classic underground gems, such as Flash by Fix, Can You Feel It by Chez Damier, Soundscape by Kosmic Messenger, Definition Of Love by Kaos and Use Me by R-Tyme. The list is endless. Fast forward to 2012 and it's hard to believe that KMS is still releasing records. With such a long history, what better way to celebrate than to release a special CD Boxset. The KMS 25th Anniversary Classics will be released on CD, Digital (and for those vinyl collectors, there will be 6 x 12 Samplers). Each format includes a plethora of gems which have been released on KMS over the last 25 years. KMS may be celebrating it's 25th Anniversary, but there's no slowing down for Kevin Saunderson. He's still producing, remixing and djing (all over the world). Here's to the next 25 years.... TRACKS: CD2 - 11. Nexus 21 feat Donna Black - Still Life (Keeps Moving) CD1 - 12. Kaos - Definition of Love CD1 - 13. MK - Somebody NewCD2 - 1. The Reese Project - Direct Me CD2 - 2. Tronikhouse - Smooth Groove CD2 - 3. Tronikhouse - Speaker Pushing (The Dirty Mix) CD2 - 4. Reese Station Of The Groove CD2 - 5. Tronikhouse - Sparkplug CD2 - 6. Reese - Bassline CD2 - 7. Tronikhouse - Straight Outta Hell CD2 - 8. Tronikhouse - Uptempo CD2 - 9. The Reese Project - Colour Of Love CD2 - 10. Chez Damier - Can You Feel It CD2 - 11. Fix - Flash CD2 - 12. Chez Damier - I Never Knew Love CD2 - 13. Reese - Funky Funk Funk CD2 - 14. Inner City - Do Ya (Carl Craig Build Up Mix)

Anbieter: Dodax
Stand: 30.05.2020
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DJ Dionysos
12,90 CHF *
zzgl. 3,50 CHF Versand

Im Namen des Beat, des Break und der Bassline Schon zu Zeiten des Gottes Dionysos gab es ravende Nymphen, in Madagaskar ergreift ein Hip-Hop-DJ die Macht, und der schreibende DJ Hans Nieswandt ist überall dabei! Seit über zwanzig Jahren produziert er elektronische Beats und gehört zu Deutschlands renommiertesten House-DJs. Nun hat Hans Nieswandt einen ehrgeizigen Plan: Nach zwei erfolgreichen Büchern über das DJ-Dasein sieht er die Zeit reif für den grossen Wurf – den »Moby Dick« der Diskowelt. Schnell hat das Ding einen Helden, einen fantastischen Überbau und einen Namen: »DJ Dionysos« – denn ohne den Gott der rauschhaften Ekstase geht in den modernen elektronischen Disko-Tempeln sowieso gar nichts. Doch kaum ist das Romanpersonal versammelt und der Bleistift gespitzt, kommt die Realität dazwischen und alles ganz anders als geplant ... Statt brav an seinem Schreibtisch zu kleben, führt Hans Nieswandt das Plattenauflegen um die halbe Welt: von Hanoi und Kuala Lumpur bis auf transsibirische Tracks und nach Nowosibirsk. Und auch an Orte, an denen DJs eher selten zu sehen sind: als Filmkomparse ans Set von Wim Wenders, als Shakespeare-Remixer ans Theater oder als Prinz zum Ballett! Verstärkt merkt Hans Nieswandt bei seinen Auftritten, wie viel sich in den Clubs verändert – und das nicht zum Vorteil. Vor allem jüngere Kollegen frönen den federleichten Files auf Laptops und vernachlässigen den Zauber des heiligen Vinyls … Bei all diesen Zwischenfällen, bizarren Begegnungen, kulturellen Kuriositäten und skurrilen Abenteuern, die er sich so nie hätte ausdenken können, bleibt kaum Zeit zum Schreiben seines Romans – doch Hans Nieswandt gibt nicht auf, und für ein paar Kapitel reicht es glücklicherweise … Voller Esprit, gewohnt kenntnisreich und herrlich selbstironisch erzählt Hans Nieswandt von grandiosen Gigs und ungewöhnlichen Musik-Erlebnissen rund um den Globus – und schreibt wie nebenbei eine kleine Geschichte über die neue DJ-Generation und den Clash der Techniken.

Anbieter: Orell Fuessli CH
Stand: 30.05.2020
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DJ Dionysos
9,20 € *
zzgl. 3,00 € Versand

Im Namen des Beat, des Break und der Bassline Schon zu Zeiten des Gottes Dionysos gab es ravende Nymphen, in Madagaskar ergreift ein Hip-Hop-DJ die Macht, und der schreibende DJ Hans Nieswandt ist überall dabei! Seit über zwanzig Jahren produziert er elektronische Beats und gehört zu Deutschlands renommiertesten House-DJs. Nun hat Hans Nieswandt einen ehrgeizigen Plan: Nach zwei erfolgreichen Büchern über das DJ-Dasein sieht er die Zeit reif für den großen Wurf – den »Moby Dick« der Diskowelt. Schnell hat das Ding einen Helden, einen fantastischen Überbau und einen Namen: »DJ Dionysos« – denn ohne den Gott der rauschhaften Ekstase geht in den modernen elektronischen Disko-Tempeln sowieso gar nichts. Doch kaum ist das Romanpersonal versammelt und der Bleistift gespitzt, kommt die Realität dazwischen und alles ganz anders als geplant ... Statt brav an seinem Schreibtisch zu kleben, führt Hans Nieswandt das Plattenauflegen um die halbe Welt: von Hanoi und Kuala Lumpur bis auf transsibirische Tracks und nach Nowosibirsk. Und auch an Orte, an denen DJs eher selten zu sehen sind: als Filmkomparse ans Set von Wim Wenders, als Shakespeare-Remixer ans Theater oder als Prinz zum Ballett! Verstärkt merkt Hans Nieswandt bei seinen Auftritten, wie viel sich in den Clubs verändert – und das nicht zum Vorteil. Vor allem jüngere Kollegen frönen den federleichten Files auf Laptops und vernachlässigen den Zauber des heiligen Vinyls … Bei all diesen Zwischenfällen, bizarren Begegnungen, kulturellen Kuriositäten und skurrilen Abenteuern, die er sich so nie hätte ausdenken können, bleibt kaum Zeit zum Schreiben seines Romans – doch Hans Nieswandt gibt nicht auf, und für ein paar Kapitel reicht es glücklicherweise … Voller Esprit, gewohnt kenntnisreich und herrlich selbstironisch erzählt Hans Nieswandt von grandiosen Gigs und ungewöhnlichen Musik-Erlebnissen rund um den Globus – und schreibt wie nebenbei eine kleine Geschichte über die neue DJ-Generation und den Clash der Techniken.

Anbieter: Thalia AT
Stand: 30.05.2020
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