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Bass, Mids, Tops
26,99 € *
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An oral history of the UK's soundsystem culture, featuring interviews with Dubmaster Dennis Bovell, Skream, Youth, Norman Jay MBE, Adrian Sherwood, Mala, and others. In the years following the arrival of the Windrush generation, the UK's soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop, dubstep, and grime have shaped the worlds of several generations of British youth culture but have often been overlooked by historians obsessed with swinging London, punk, and Britpop. This oral history, consisting of new interviews conducted by respected dance music writer Joe Muggs, and accompanied by dramatic portraits by Brian David Stevens, presents the story of the bassline of Britain, in the words of those who lived and shaped it. Features interviews with Dubmaster Dennis Bovell, Norman Jay MPE, Youth, Adrian Sherwood, Skream, Rinse FM's Sarah Lockhart and many others.

Anbieter: buecher
Stand: 25.09.2020
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Bass, Mids, Tops (eBook, ePUB)
15,95 € *
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An oral history of the UK's soundsystem culture, featuring interviews with Dubmaster Dennis Bovell, Skream, Youth, Norman Jay MBE, Adrian Sherwood, Mala, and others.In the years following the arrival of the Windrush generation, the UK's soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop, dubstep, and grime have shaped the worlds of several generations of British youth culture but have often been overlooked by historians obsessed with swinging London, punk, and Britpop.This oral history, consisting of new interviews conducted by respected dance music writer Joe Muggs, and accompanied by dramatic portraits by Brian David Stevens, presents the story of the bassline of Britain, in the words of those who lived and shaped it. Features interviews with Dubmaster Dennis Bovell, Norman Jay MPE, Youth, Adrian Sherwood, Skream, Rinse FM's Sarah Lockhart and many others.

Anbieter: buecher
Stand: 25.09.2020
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Bass, Mids, Tops
26,99 € *
ggf. zzgl. Versand

An oral history of the UK's soundsystem culture, featuring interviews with Dubmaster Dennis Bovell, Skream, Youth, Norman Jay MBE, Adrian Sherwood, Mala, and others. In the years following the arrival of the Windrush generation, the UK's soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop, dubstep, and grime have shaped the worlds of several generations of British youth culture but have often been overlooked by historians obsessed with swinging London, punk, and Britpop. This oral history, consisting of new interviews conducted by respected dance music writer Joe Muggs, and accompanied by dramatic portraits by Brian David Stevens, presents the story of the bassline of Britain, in the words of those who lived and shaped it. Features interviews with Dubmaster Dennis Bovell, Norman Jay MPE, Youth, Adrian Sherwood, Skream, Rinse FM's Sarah Lockhart and many others.

Anbieter: buecher
Stand: 25.09.2020
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Bass, Mids, Tops (eBook, ePUB)
15,95 € *
ggf. zzgl. Versand

An oral history of the UK's soundsystem culture, featuring interviews with Dubmaster Dennis Bovell, Skream, Youth, Norman Jay MBE, Adrian Sherwood, Mala, and others.In the years following the arrival of the Windrush generation, the UK's soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop, dubstep, and grime have shaped the worlds of several generations of British youth culture but have often been overlooked by historians obsessed with swinging London, punk, and Britpop.This oral history, consisting of new interviews conducted by respected dance music writer Joe Muggs, and accompanied by dramatic portraits by Brian David Stevens, presents the story of the bassline of Britain, in the words of those who lived and shaped it. Features interviews with Dubmaster Dennis Bovell, Norman Jay MPE, Youth, Adrian Sherwood, Skream, Rinse FM's Sarah Lockhart and many others.

Anbieter: buecher
Stand: 25.09.2020
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UK Garage
34,00 € *
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High Quality Content by WIKIPEDIA articles! UK garage is a sub-genre of electronic dance music originating from the United Kingdom in the mid-1990s. In some sense UK garage is a descendant of British house music, but takes its name from the practice of sped-up US garage playback from whence the near-synonymous term Speed garage is derived. UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

Anbieter: Dodax
Stand: 25.09.2020
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Le Castle Vania
39,00 € *
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Le Castle Vania is the alias of Dylan Eiland, an electronic dance music producer and DJ based in Atlanta, Georgia. Eiland began DJing drum and bass at warehouse parties and raves in Atlanta at age 15. After receiving some attention for his remix of Atlanta-based band Snowden, Le Castle Vania rose to success and has since gained a sense of notoriety in the electro dance scene. His sound is said to blend indie and punk rock sounds with electronic-based disco and electro sounds. Many of his original tracks include a distorted bassline and a heavy kick and snare sequence. Eiland uses a simple setup, including Serato, a mixer, and two turntables. He writes his songs on his laptop, often while traveling on airplanes, and prefers to play a larger number of his original work compared to his remixes.

Anbieter: Dodax
Stand: 25.09.2020
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Dubstep
54,00 € *
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High Quality Content by WIKIPEDIA articles! Dubstep is a genre of electronic dance music that has its roots in London's early 2000s UK garage scene. Musically, dubstep is distinguished by its 2-step rhythm, or use of snare sounds similar to 2step garage and grime, and an emphasis on bass, often producing "dark" sounds, but just as frequently producing sounds reminiscent of dub reggae or funky US garage. Dubstep tracks are generally produced at a tempo of around 140 beats per minute and in recent years have developed signature half time rhythms, often heavily shuffled or syncopated, and usually, though not exclusively, including only one snare drum hit per bar, often on the third beat. Such factors make dubstep rhythms markedly different from four-to-the-floor rhythms used in other styles of electronic dance music such as house music, which usually have two snare hits accompanying the second and fourth kick drum. Often, the sense of rhythm in dubstep is propelled more by the bassline than by the percussive content.

Anbieter: Dodax
Stand: 25.09.2020
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Alive AG Modern Dance Techno CD Sienkiewicz, Jacek
19,83 € *
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Sven Väths Techno-Institution Cocoon Recordings nun im Vertrieb der ALIVE! Jacek Sienkiewiczs neues Album nimmt klassische Elementen des Detroit-Technos, perkussiven Dub, orientalischen Klangexperimente und modernen Minimal-Sound!nnSeit dem Jahr 2002 gehört der 33jährige Warschauer zum festen Künstlerstamm des Frankfurter Labels. Modern Dance ist in vielerlei Hinsicht typisch für die künstlerische Vision Sienkiewiczs, aus klassischen Elementen des Detroit-Technos, perkussivem Dub, orientalischen Klangexperimenten und modernen Minimal-Sounds melancholische und doch ungemein fordernde elektronische Tanzmusik entstehen zu lassen. Tanz ist eine auf Körperbewegung basierende Kunstform, die den besonderen Wert aus der Schnittmenge von gesellschaftlicher Interaktion und spiritueller Hingabe zieht, auf kreativ spontane Art Gefühle verkörpert und Musik als Katalysator nutzt. >Modern Dance< versteht sich nicht zuletzt als Aufbegehren gegen strikte Formen der Tradition, und dieses besondere Spannungsfeld versinnbildlicht auch die Musik dieses Albums. (Sienkiewicz). Und dabei wirken die in Motorcity-Strings perfekt eingebundenen Xylophon-Sounds von All Yours, der flirrende Dub-Hypnotrip Connections mit seinem industriell perkussivem Charme, Never Landing Story mit Selbstläufer-Bassline, verfremdetem Funkverkehr und bizarren Latin-Gitarren-Fragmenten sowie natürlich die orchestralen Streicherelemente von Beacon als bewusstseinserweiternde Ornamente einer gemeinsamen Geschichte, die erst nach über 70 Minuten mit dem detailverliebten midas Mix von Good Luck ihr harmonisches Ende findet. Ein Meisterwerk mit einem Höchstmaß an klanglicher Vision und schier berauschender Spielfreude! TRACKS: 1. Double Secret 02:32 2. All Yours 05:34 3. Jeden 02:57 4. Time Starts Now 03:52 5. Connections 07:25 6. Modern Dance 04:35 7. Never Landing Story 05:17 8. My Little Place (Digital Mix) 05:03 9. Beacon 06:49 10. Skazka 02:14 11. Forgot To Tell You 02:49 12. Eastern Promises 05:34 13. Green River 09:22 14. Good Luck (Midas Mix) 06:46

Anbieter: Dodax
Stand: 25.09.2020
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Alive AG KMS 25th Anniversary Classics (4CD) Te...
33,71 € *
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Detroit-Legende Saunderson gehört mit Juan Atkins und Derrick May zu den Gründervätern des Detroit Techno. Mit Inner City (Good Life) feierte er Chart-Erfolge. Hier seine wichtigsten Veröffentlichungen!nnSaunderson ging mit Juan Atkins und Derrick May auf die Belleville High School in Detroit (The Belleville Three). Er gilt als Mitbegründer der Stilrichtung Detroit Techno und hatte mit dem kommerziellen Projekt Inner City Chart-Erfolge. Er gründete das Label KMS Records, auf dem er unter den Projektnamen Reese, E-Dancer, Tronik House und anderen Titel wie The Sound, Bounce your body to the box, The groove that won't stop und Rock to the beat veröffentlichte. Die neue Compilation gibt einen Überblick über seine wichtigsten Veröffentlichungen. CD1 - 1. Kreem - Triangle of Love CD1 - 2. Reese - The Sound CD1 - 3. Reese - Just Want Another Chance CD1 - 4. Reese & Santonio - How To Play Our Music CD1 - 5. Keynotes - Let's, Let's, Let's, Let's Dance CD1 - 6. Reese & Sanantonio - Bounce Your Body To The Box CD1 - 7. Kevin Saunderson - The Groove That Wont Stop CD1 - 8. Reese & Santonio - Truth Of Self Evidence CD1 - 9. Symbols & Instruments - Mood CD1 - 10. Reese - Rock To The Beat Founded in 1987, by Kevin Maurice Saunderson, his first release was Triangle Of Love produced by, 'Kreem', (just one of his many guises), little did Saunderson know, at that time, that two and a half decades later, he would still be releasing music on his KMS label. Let's go back to the beginning... Born in Brooklyn in 1964, Saunderson moved to the picturesque Detroit suburb of Belleville, when he was nine, a different world to the urban decay of the city itself. Saunderson has an enviable dual reputation. To the dance cognoscenti he's one of the Belleville Three, (with Saunderson being the 'Elevator', Juan Aktkins being the 'Originator' and Derrick May being the 'Innovator'), the trio of friends invented Detroit Techno. The trio met at Belleville High School where, Saunderson befriended Juan Atkins and Derrick May, who introduced him to the eclectic post-disco playlists of Detroit radio DJ Charles The Electrifying Mojo Johnson. Johnson played disco, funk, Prince, Parliament/Funkadelic, Kraftwerk, the B52's and Tangerine Dream, to name just a few. Saunderson already had a serious love for music, but he didn't realise he was going to produce music, until then. In his first year at East Michigan University, where he studied telecommunications, he gave up football to become a DJ himself. He took inspiration from visits to Larry Levan's Paradise Garage in New York and Frankie Knuckles' Warehouse and Music Box in Chicago. Saunderson, Atkins and May, played at campus parties, until setting up their own club in Detroit, the fabled Music Institute. Of the Belleville Three Atkins was the first to make a record, with electro group Cybotron's Alleys of Your Mind in 1981, then May, with Rhythim is Rhythim's Nude Photo in 1987. Inspired by his friends, Saunderson bought some basic equipment and made his own debut in 1987 with Triangle Of Love. I just had a good ear and a good heart for music, he says. Juan Atkins led me into DJing which led me into making extra beats to play in my set. Then I started learning how to play basslines, putting a lot of work in, just elevating it from there Undeniably, Saunderson is a gifted producer (going under guises such as Reese, E-Dancer, Tronikhouse and Reese Project), remixer and a tireless international DJ. To lovers of great pop music he's also one third of Inner City, who made regular visits to the Top 20 in the late 80s with jubilant hits like Big Fun and Good Life, paving the way for hundreds of underground-to-chart crossover records to come. On a visit to England in 1988 Saunderson realised that a mythology had built up around the Belleville Three. To his even greater surprise, Big Fun became not just a massive club record but a pop hit. He also helped to revolutionise remixing when he worked on We Know It by Wee Papa Girl Rappers. Over the following decade Saunderson would continue to produce imaginative remixes for the likes of New Order, Pet Shop Boys, The Shamen, Paula Abdul and the Lighthouse Family. Even whilst travelling the globe, djing or touring with Inner City, Saunderson continued to produce and release not only his own tracks on his KMS label (with tracks such as The Sound by Reese, Rock To The Beat by Reese, Truth Of Self Evident by Reese & Santonio, Let's, Let's, Let's, Let's Dance by Keynotes and Colour Of Love by The Reese Project), but he also released tracks by other up and coming artists, releasing classic underground gems, such as Flash by Fix, Can You Feel It by Chez Damier, Soundscape by Kosmic Messenger, Definition Of Love by Kaos and Use Me by R-Tyme. The list is endless. Fast forward to 2012 and it's hard to believe that KMS is still releasing records. With such a long history, what better way to celebrate than to release a special CD Boxset. The KMS 25th Anniversary Classics will be released on CD, Digital (and for those vinyl collectors, there will be 6 x 12 Samplers). Each format includes a plethora of gems which have been released on KMS over the last 25 years. KMS may be celebrating it's 25th Anniversary, but there's no slowing down for Kevin Saunderson. He's still producing, remixing and djing (all over the world). Here's to the next 25 years.... TRACKS: CD2 - 11. Nexus 21 feat Donna Black - Still Life (Keeps Moving) CD1 - 12. Kaos - Definition of Love CD1 - 13. MK - Somebody NewCD2 - 1. The Reese Project - Direct Me CD2 - 2. Tronikhouse - Smooth Groove CD2 - 3. Tronikhouse - Speaker Pushing (The Dirty Mix) CD2 - 4. Reese Station Of The Groove CD2 - 5. Tronikhouse - Sparkplug CD2 - 6. Reese - Bassline CD2 - 7. Tronikhouse - Straight Outta Hell CD2 - 8. Tronikhouse - Uptempo CD2 - 9. The Reese Project - Colour Of Love CD2 - 10. Chez Damier - Can You Feel It CD2 - 11. Fix - Flash CD2 - 12. Chez Damier - I Never Knew Love CD2 - 13. Reese - Funky Funk Funk CD2 - 14. Inner City - Do Ya (Carl Craig Build Up Mix)

Anbieter: Dodax
Stand: 25.09.2020
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