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The Many Faces of Black Sabbath - Limited Editi...
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The album takes off with Tony Iommi, the founding guitarist, and the only member who has remained in all the band's lineups. Talking about Tony is a synonym for Black Sabbath; therefore, The Many Faces begins with him and his collaboration with Bobby Harrison. For most people, the name of Bobby Harrison could have little meaning, but for students of the confines of the world of rock, Bobby was the first drummer of Procol Harum, whom he abandoned shortly after recording A Whiter Shade of Pale, the band’s iconic track. Bobby retired because he wanted to start his own project: Freedom, a hard rock band who ended up having little success. In 1975, Bobby recorded Funkiest, a solo album for which he recruited a range of top collaborators such as guitarist Micky Moody (Whitesnake), bass player Herbie Flowers (Lou Reed, T. Rex, among many others), drummer Ian Paice (Deep Purple) and keyboardist Matthew Fisher (Procol Harum) and Tony Iommi, who does an excellent guitar work on King Of the Night, the track included here. In 1976, the British hard rock band Quartz, from Birmingham, embarked, as a support group, on a tour with their friends and fellow citizens Black Sabbath. To honor the friendship and good times shared, Tony Iommi produced their eponymous debut album, released in 1977, from where we included the song: Mainline Riders. Guitarist/Keyboardist Geoff Nicholls from Quartz left the band in 1979 to precisely join Black Sabbath with whom he stayed until 2004. Then in 2011, Quartz re-formed with a line-up consisted of Geoff Nicholls, Mike Hopkins, Derek Arnold, Malcolm Cope and former vocalist David Garner releasing the album Fear No Evil in 2016. Nicholls died in early 2017 but in his final days, he wrote and recorded with Quartz the song Highway to Madness' that has been unreleased until now. Thanks to the band, we have the exclusive on this special edition of The Many Faces of Black Sabbath. Cozy Powell was one of the most iconic musicians in the history of British rock. Member of Jeff Beck Group, Whitesnake, Rainbow and Black Sabbath, among many other projects, he is one of the pillars when talking about rock drummers. Cozy played in Black Sabbath’s albums Headless Cross (89), Tyr (90) and Forbidden (95). In The Many Faces we introduced him with a Bedlam song (I Believe In You), his own project, which released its only album in 1973. This version is a rare live recording that will be especially appreciated by Cozy’s fans. In the chaotic world of Black Sabbath, drummers have changed a lot following the split of the original lineup, after the departure of Ozzy Osbourne in 1978. In 1983, following the departure of Ronnie James Dio, Black Sabbath makes a strange move when it incorporated singer Ian Gillan, Deep Purples’ original vocalist. Together they recorded the album Born Again (83), that has many enjoyable moments. In The Many Faces we listen to Ian with its powerful track Finally The Finale, recorded for his own solo project. Next is Bev Bevan, drummer and founding member of two institutions of the British rock: the psychedelic group The Move and pop-rock symphonic band Electric Light Orchestra. Bev played with Sabbath in the tour for the album Born Again, and here we hear him in the song Flowers In The Rain, the psychedelic classic he recorded with The Move in 1967 and which reached #2 in the British singles chart. Drummer Eric Singer, has been a member of Kiss for more than 20 years. However, between 1986 and 1987 he was Black Sabbath's drummer and recorded with the band the albums Seventh Star and The Eternal Idol . He appears here doing a version of Ozzy Osbourne's hit Over The Mountain along Brad Gillis (Night Ranger), Mark Slaughter (Slaughter), Gary Moon and Paul Taylor. One of Black Sabbath's most iconic songs has been without a doubt Paranoid . We include here a version that features a superstar line-up including Vince Neil of Mötley Crüe, Dokken's guitar master George Lynch, bassist Stu Hamm (Steve Vai, Joe Satriani) and drummer Greg Bissonette (David Lee Roth, Steve Vai, Spinal Tap) Drummer Vinny Appice was part of Black Sabbath in four different occasions recorded multiple albums with the band between 1982 and 2010. In The Many Faces he appears along Marko Pukkila, Rowan Robertson and Andy Endberg doing a rockin' remake of Van Halen's And The Cradle Will Rock . The album Seventh Star from 1986 wasn't one of the band's more successful (actually, it was supposed to be Tony Iommi's solo debut). However, that line-up included (alongside Nicholls, Singer and Dave Spitz) legendary bassist and singer Glenn Hughes on vocals. Known by fans as The Voice Of Rock , he performs Freak Out Tonight with Chris Catena, Tony Franklin and Bruce Kulick from Kiss. LP2 of our collection is dedicated to Black Sabbath's stellar catalog. Most of their hits are included here: War Pigs , Into the Void , Iron Man , Children of The Grave and Snowblind among others, performer by bands that were heavily influenced by BS including Leaving Eden, High Voltage Cornivus and Fierce Atmospheres. Enjoy this journey through the darkest confines of Black Sabbath's world!

Anbieter: Zavvi
Stand: 25.09.2020
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Dubstep
54,00 € *
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High Quality Content by WIKIPEDIA articles! Dubstep is a genre of electronic dance music that has its roots in London's early 2000s UK garage scene. Musically, dubstep is distinguished by its 2-step rhythm, or use of snare sounds similar to 2step garage and grime, and an emphasis on bass, often producing "dark" sounds, but just as frequently producing sounds reminiscent of dub reggae or funky US garage. Dubstep tracks are generally produced at a tempo of around 140 beats per minute and in recent years have developed signature half time rhythms, often heavily shuffled or syncopated, and usually, though not exclusively, including only one snare drum hit per bar, often on the third beat. Such factors make dubstep rhythms markedly different from four-to-the-floor rhythms used in other styles of electronic dance music such as house music, which usually have two snare hits accompanying the second and fourth kick drum. Often, the sense of rhythm in dubstep is propelled more by the bassline than by the percussive content.

Anbieter: Dodax
Stand: 25.09.2020
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Alive AG KMS 25th Anniversary Classics (4CD) Te...
33,71 € *
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Detroit-Legende Saunderson gehört mit Juan Atkins und Derrick May zu den Gründervätern des Detroit Techno. Mit Inner City (Good Life) feierte er Chart-Erfolge. Hier seine wichtigsten Veröffentlichungen!nnSaunderson ging mit Juan Atkins und Derrick May auf die Belleville High School in Detroit (The Belleville Three). Er gilt als Mitbegründer der Stilrichtung Detroit Techno und hatte mit dem kommerziellen Projekt Inner City Chart-Erfolge. Er gründete das Label KMS Records, auf dem er unter den Projektnamen Reese, E-Dancer, Tronik House und anderen Titel wie The Sound, Bounce your body to the box, The groove that won't stop und Rock to the beat veröffentlichte. Die neue Compilation gibt einen Überblick über seine wichtigsten Veröffentlichungen. CD1 - 1. Kreem - Triangle of Love CD1 - 2. Reese - The Sound CD1 - 3. Reese - Just Want Another Chance CD1 - 4. Reese & Santonio - How To Play Our Music CD1 - 5. Keynotes - Let's, Let's, Let's, Let's Dance CD1 - 6. Reese & Sanantonio - Bounce Your Body To The Box CD1 - 7. Kevin Saunderson - The Groove That Wont Stop CD1 - 8. Reese & Santonio - Truth Of Self Evidence CD1 - 9. Symbols & Instruments - Mood CD1 - 10. Reese - Rock To The Beat Founded in 1987, by Kevin Maurice Saunderson, his first release was Triangle Of Love produced by, 'Kreem', (just one of his many guises), little did Saunderson know, at that time, that two and a half decades later, he would still be releasing music on his KMS label. Let's go back to the beginning... Born in Brooklyn in 1964, Saunderson moved to the picturesque Detroit suburb of Belleville, when he was nine, a different world to the urban decay of the city itself. Saunderson has an enviable dual reputation. To the dance cognoscenti he's one of the Belleville Three, (with Saunderson being the 'Elevator', Juan Aktkins being the 'Originator' and Derrick May being the 'Innovator'), the trio of friends invented Detroit Techno. The trio met at Belleville High School where, Saunderson befriended Juan Atkins and Derrick May, who introduced him to the eclectic post-disco playlists of Detroit radio DJ Charles The Electrifying Mojo Johnson. Johnson played disco, funk, Prince, Parliament/Funkadelic, Kraftwerk, the B52's and Tangerine Dream, to name just a few. Saunderson already had a serious love for music, but he didn't realise he was going to produce music, until then. In his first year at East Michigan University, where he studied telecommunications, he gave up football to become a DJ himself. He took inspiration from visits to Larry Levan's Paradise Garage in New York and Frankie Knuckles' Warehouse and Music Box in Chicago. Saunderson, Atkins and May, played at campus parties, until setting up their own club in Detroit, the fabled Music Institute. Of the Belleville Three Atkins was the first to make a record, with electro group Cybotron's Alleys of Your Mind in 1981, then May, with Rhythim is Rhythim's Nude Photo in 1987. Inspired by his friends, Saunderson bought some basic equipment and made his own debut in 1987 with Triangle Of Love. I just had a good ear and a good heart for music, he says. Juan Atkins led me into DJing which led me into making extra beats to play in my set. Then I started learning how to play basslines, putting a lot of work in, just elevating it from there Undeniably, Saunderson is a gifted producer (going under guises such as Reese, E-Dancer, Tronikhouse and Reese Project), remixer and a tireless international DJ. To lovers of great pop music he's also one third of Inner City, who made regular visits to the Top 20 in the late 80s with jubilant hits like Big Fun and Good Life, paving the way for hundreds of underground-to-chart crossover records to come. On a visit to England in 1988 Saunderson realised that a mythology had built up around the Belleville Three. To his even greater surprise, Big Fun became not just a massive club record but a pop hit. He also helped to revolutionise remixing when he worked on We Know It by Wee Papa Girl Rappers. Over the following decade Saunderson would continue to produce imaginative remixes for the likes of New Order, Pet Shop Boys, The Shamen, Paula Abdul and the Lighthouse Family. Even whilst travelling the globe, djing or touring with Inner City, Saunderson continued to produce and release not only his own tracks on his KMS label (with tracks such as The Sound by Reese, Rock To The Beat by Reese, Truth Of Self Evident by Reese & Santonio, Let's, Let's, Let's, Let's Dance by Keynotes and Colour Of Love by The Reese Project), but he also released tracks by other up and coming artists, releasing classic underground gems, such as Flash by Fix, Can You Feel It by Chez Damier, Soundscape by Kosmic Messenger, Definition Of Love by Kaos and Use Me by R-Tyme. The list is endless. Fast forward to 2012 and it's hard to believe that KMS is still releasing records. With such a long history, what better way to celebrate than to release a special CD Boxset. The KMS 25th Anniversary Classics will be released on CD, Digital (and for those vinyl collectors, there will be 6 x 12 Samplers). Each format includes a plethora of gems which have been released on KMS over the last 25 years. KMS may be celebrating it's 25th Anniversary, but there's no slowing down for Kevin Saunderson. He's still producing, remixing and djing (all over the world). Here's to the next 25 years.... TRACKS: CD2 - 11. Nexus 21 feat Donna Black - Still Life (Keeps Moving) CD1 - 12. Kaos - Definition of Love CD1 - 13. MK - Somebody NewCD2 - 1. The Reese Project - Direct Me CD2 - 2. Tronikhouse - Smooth Groove CD2 - 3. Tronikhouse - Speaker Pushing (The Dirty Mix) CD2 - 4. Reese Station Of The Groove CD2 - 5. Tronikhouse - Sparkplug CD2 - 6. Reese - Bassline CD2 - 7. Tronikhouse - Straight Outta Hell CD2 - 8. Tronikhouse - Uptempo CD2 - 9. The Reese Project - Colour Of Love CD2 - 10. Chez Damier - Can You Feel It CD2 - 11. Fix - Flash CD2 - 12. Chez Damier - I Never Knew Love CD2 - 13. Reese - Funky Funk Funk CD2 - 14. Inner City - Do Ya (Carl Craig Build Up Mix)

Anbieter: Dodax
Stand: 25.09.2020
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Alive AG Love By Machine Tech house CD Octave One
13,65 € *
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Mit ihren Releases auf Labels wie Tresor und fünf Alben gehören die Detroiter Octave One seit 16 Jahren zum festen Inventar der Techno / House - Szene.nnEnde der 90er Jahre zeigen die Produzenten aus Detroit eindrucksvoll, wer in Sachen Techno die Hosen an hat. 1999 veröffentlicht DJ Rolando mit Knights Of The Jaguar einen der wichtigsten Techno-Tracks überhaupt, im Jahr darauf machen es ihm Octave One mit ihrer Hitsingle Black Water nach. Der Vocal-Track, gesungen von Kevin Saundersons Frau Ann Saunderson, entwickelt sich zum genreübergreifenden Konsens-Hit in den Clubs und ist der größte Erfolg des Projekts. Und jetzt folgt mit Burn It Down endlich das neue Studioalbum, feat. Ann Saunderson und Random Noise Generaton kann alles: Euphorischer Diva-House, dreckiger Techno, Cosmic Soundscapes, funky Licks und große Hymnen. A year after their impressive last album Burn It Down, Detroit techno legends Octave One are back with a nine track double EP that again shows they are masters of big hypnotic grooves. Entitled Love by Machine, the album's name is a nod to the fact that the Burden brothers are such revered masters of their hardware. Both in the studio, where they cook up atmospheric house and techno with soaring synths and vocals and also in the live arena, where they are celebrated as one of the most accomplished and forward thinking performers in the game today. That is all the more impressive when you bear in mind they have been active since the '80s, most often releasing on their own 430 West label, which is where they appear again here. Say Lenny: We've been exploring the theme of connection with this project. How technology gives us the illusion that we are closer to each other more than ever. At some point humanity crossed a line where the devices that we created to bring us together are the same devices that are blocking us from organic experiences. Technology is only a tool, which we also had in mind during the recording process. Adds Lawrence. We decided to go back to how we used to make our records, when we didn't have so many 'sophisticated' audio devices. Back to when we interacted in the studio together as musicians. Things open up with the loose metallic percussive line that is In Mono, which sets the machine made tone and is filled with promise. Locator then immediately gets to action with a gallivanting techno kick and various synth lines wrapping round each other as you get sucked into the groove. Just Don't Speak (Midnight Sun Redub) is a more deep and house leaning track with big feel good piano keys and slithering synths that will get hands in the air. Proving they have real range, 7 B4 Dawn is a moody and reserved cut with subtle acid pricks, hip swinging claps and a spaced out dead of night feel. The second half of the album offers peak time business in the form of the spectacular Bad Love II, the whirring and cosmic Sounds of Jericho and the big loops and fluid grooves of [Where] Time Collides. Pain Pressure is a wonky number with big bassline and a focus on percussive patterns as well as some vocals with real attitude and last cut 8 B4 Dawn ends things in a downbeat and sombre way with sad chords and emotive strings. It is pure Detroit, much like the whole album, and rounds out another fine release from these most revered veterans. TRACKS: 1. In Mono 2. Locator 3. Just Don't Speak (Midnight Sun ReDub) 4. 7 b4 Dawn 5. Bad Love II 6. Sounds of Jericho 7. [Where] Time Collides 8. Pain Pressure 9. 8 b4 Dawn

Anbieter: Dodax
Stand: 25.09.2020
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How to Make a Noise: iPad Synthesizers Edition
6,40 CHF *
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How to Make a Noise: iPad Synthesizers Edition looks at how to create and control sounds using iPad synthesizers. The book introduces sound creation from first principles focusing on each element in turn: sound sources, filters, envelopes, low frequency oscillators and other modulation sources, FX, frequency modulation synthesis, and brings the pieces together as you begin to create and control your own sounds. It illustrates each aspect with examples using five synthesizers available for the iPad: BassLine, ReBirth, iELECTRIBE, iMS-20, and NLogSynth Pro.

Anbieter: Orell Fuessli CH
Stand: 25.09.2020
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How to Make a Noise: iPad Synthesizers Edition
5,49 € *
ggf. zzgl. Versand

How to Make a Noise: iPad Synthesizers Edition looks at how to create and control sounds using iPad synthesizers. The book introduces sound creation from first principles focusing on each element in turn: sound sources, filters, envelopes, low frequency oscillators and other modulation sources, FX, frequency modulation synthesis, and brings the pieces together as you begin to create and control your own sounds. It illustrates each aspect with examples using five synthesizers available for the iPad: BassLine, ReBirth, iELECTRIBE, iMS-20, and NLogSynth Pro.

Anbieter: Thalia AT
Stand: 25.09.2020
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